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The award-winning story of a boy's coming of age amidst the soul music of '70's and '80's Philadelphia.

The personal and collective story of an existence inextricably linked to cinema, that of Paul Vecchiali. Mayerling is the title of Anatole Litvak’s 1936 film and is also the name of the house in the south of France where he lived and made his last !lms, a place Vecchiali will return to for his Retour à Mayerling. In this portrait, Paul looks at himself an his collaborators who describe him. 　　During his art studies, Antonio Pettinelli began working as a radio host, then as a journalist, covering topics related to cinema, music and entertainment. He was Fellini’s voluntary assistant director in City of Women. He wrote and directed documentaries and reportages in Italy and abroad, mainly for the RAI networks.

Somaieh, the youngest daughter of an indigent family, is getting married and fear is overwhelming each and every member of the family regarding how to overcome their difficulties after she's gone.

Peter and Paul assume leadership of the Church as they struggle against violent opposition to the teachings of Christ and their own personal conflicts.

The subject-matter of this comedy is age-old: that of the schizophrenic soul. Papa would have liked boy twins years ago, but her wife gave birth to a single child weighing six kilograms. He would like to dampen his feeling of emptiness by having the boy registered both as Péter and Pál.

Penny may have found her soulmate in Paul in Las Vegas. But on their drive back to her home in Houston, Texas, they begin to realize maybe they don't know as much about each other as they thought.

This is the story of Arthur Doyle, once a promising saxophonist in the New York school of Jazz' New Thing in the late 1960s and 1970s. Doyle, like many of his contemporaries, has struggled to maintain a healthy balance between life and music. The evidence of years spent pursuing a completely original sound is all around him. It is in his eyes, in his home and in the voices of his family. This film tells the story of a man who managed to live through his relationship with music. Now nearly 70, Doyle seems to be defying those forces that would keep him as a footnote in the history of American music. 　　—Anonymous

This is the story of Arthur Doyle, once a promising saxophonist in the New York school of Jazz' New Thing in the late 1960s and 1970s. Doyle, like many of his contemporaries, has struggled to maintain a healthy balance between life and music. The evidence of years spent pursuing a completely original sound is all around him. It is in his eyes, in his home and in the voices of his family. This film tells the story of a man who managed to live through his relationship with music. Now nearly 70, Doyle seems to be defying those forces that would keep him as a footnote in the history of American music. 　　—Anonymous

The film centres around the final day of the venue's operations.